This Painting is really rich in texture with high spiritual emotions. A painting of Jerusalem, the Holy Land, where I carved and sculped, oil painted this amazing painting for a luxurious hotel, or a fine home. The technique I used makes this scene almost real in the space, you can touch the stones, walls and earth with your fingertips.
Ancient Jews wearing Tallit riding their way up Mount Zion on camels. The city behind the walls looks old as the age of the peolpe in the scene but I added arcitecture of Modern Jerusalem, The first hotel in the citey from the britians days where Monarchs and rich people stay while visiting the country, - King David Hotel, The Israel Museum with the grey rounded roof, the largest Synogogue -Belz, and Moses Montefiores' windmill in honour for his donations of large sums of money to promote industry, business, economic development, education and health among the Jewish community in Jerusalem. Today is a modern city.
The base, the sculpture will be a printed in 3D in a limeted eddition, I will paint it personally, colors may differ. If you want this as is - the original- please contact me for one of a kind masterpiece.
Artist: Gitty Fuchs
Title: Heading The Future
Medium: Bass relief, Oil Painting On Gallery Wrapped Canvas.
Size: 47" x 37: inches
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שם התמונה : "עם הפנים לעתיד"
טכניקה: תבליט עם צבעי שמן על קנבס
גודל התמונה: 1.20 X95
תאור התמונה: תמונת נוף של ירושלים בשני רבדים , ירושלים העתיקה המשמשת כתפאורה לירושלים המתחדשת, והאנשים המאמינים העולים לרגל לכיוון ירושלים העתיקה המייצגים את נצחיות האמונה שהיא מעבר לזמן ומקום.
מקור ההשראה לתמונה : _____________________________
עירוב הזמנים הכרונולוגיים לצד עירוב המבנים של ישן עם חדש, על רקע האמונה המתבטאת בקבוצת הצועדים לירושלים... כל אלו, יוצרים מתח ויזואלי מרתק ופנטסטי.
תמונה זו סגרה את הסדרה, אולם מבחינתי תמונה זו מייצגת גם סגירת מעגל בחיי האמנותיים ופתיחת מעגל חדש של התחדשות אמנותית.
As a Jew' In Judaism we dont draw human face therefore all gestures are painted covered with tallit or seen by their backs.
Luxury Painting Huge Hotel Interior Rich Relief texture Jerusalem Gitty Fuchs
As a child. I lived in New York my parents had a dream - to move to Israel. My mother loved drawing, her talents and passion influenced me as I loved, respected and admired her very much. My father was a student in university finishing his doctor degree. There was more than just an art talent in my family,
As Unrealistic, it seemed. I grew up helping my parents turn their dream into reality. There was no money, but we knew it would happen. I sold lemonade and chocolate chip cookies to passing people on our street saving money to immigrate.
One day - it happened - We Immigrated. It was an unreal dream that came true. I grew up with strong emotions that dreams could come true. I feel that paintings have a role in making dreams come true.
Paintings can look realistic but once you get closer - its fantasy, there is no reality in a painting. By adding bass relief, high texture and sculpture techniques, I feel how unreal takes shape and form. The sculpted scenes become real, enter your life, into your home. You see it on the wall. You have it even though its not physically there.
The real stones, the mountains, ancient biblical walls - all in the fingertips of your hand.
The longing for the Land of Israel, the immigration, the longed-for poetry of Jerusalem of gold, the stories of the Bible.
All this expresses even a little understanding of the dream of being in the Land of Israel.
I sometimes go back in time and think of all the people that love Israel, have a dream to come but cannot do it; I understand their feelings, and emotions. Each of my artwork - as I sculpt, relief, add original stones, sculpt the mountains, and add color and depth. At every stroke, I think how art can fill the gaps of dreams.
It's my shout - to express the reality - Dreams DO come true!!!
I am Influenced by the lithographic works of the Scottish painter David Roberts 1839, who painted a series of paintings of the Land of Israel during a tour in Israel. And inspired by artist Henry A Harper 19th century engravings.
I add power to their art and bring them to life by combining the relief technique that was used on classical Roman and Greek structures.
Medium: Modern art, a combination of Bass Relief and oil painting on canvas